Surf drums lots of speeding up, psyche bass boom, jangly 60's guitar played by 10 armed spirit beings, introverted overly excited brass, B52 organ solos, spirit of Tom Waits beard, all have mustaches, south american ponchos and jesus garment, painted bark props, hawaiian samples with chant by all, graphic notated drawing guided improvised, Tou Cans, elephants, monkeys riding surfboards. We will turn your swamp-hearts into california!
Recorded/produced/performed/mastered/and artwork by Jeremy Hindmarsh of The Swamplords on 4 Track Cassette later transferred to CD. The album explores the instrumental and noise elements of Surf/Noise/Dub/Thai Beat/and Afro Beat through the use of Guitar, Bass, Likembe, Bongo, steel drums, maraccas, African Xylophone, Drum Kit, Vocals, Fuzz, Music Concrete, and the use of 50's era style delay. The album is Jeremy's first release to hit the media and stores and pays homage to the great psychedelic music during the late 50's - 70's...finding his main influences from the Cumbias of Peru, The bossa nova grooves of Brazil, the instrumentation of Africa, the textures of Pierre Schaeffer and the guitar tones of early pioneering surf music from Australia and California, it's set to be a hot release... and only 100 copies available.
The perpetual psychosis of The Swamplords creates a seismic infinity shaped rainbow. A bellbottom laden Mescalito once said, " The Swamplords sound like a toad caught in a swirling abyss of raging golden flames. They bear fuzzy drones from Sunshine-Beef-Town where colourful people ride surfboards to the town dance.
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